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Rize w/Michelle Saud can be seen performing at Crossroads(217 W. Clay St.) every Thursday and  Sunday evening.

 
Shout-Outs

John Morand, Jon Ramsey
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Producer John Morand can be found working hard making great rock albums at Sound of Music Studio in Richmond, VA.
SONG OF CHANCE: In the Black - EP
History
In 2008 Song of Chance released their first Armageddon Rock collaborative endeavor, the In the Black EP.  This is a 6 song mini-album featuring the vocal stylings of Song of Chance originator Jon Ramsey, instrumentation from Richmond, VA funk outfit, Rize, and the songcraftings of Todd Herrington(Modern Groove Sydnicate, DJ Williams Projekt) and Kelli Strawbridge(Heavy Rotations, The Big Payback).  Produced by John Morand who has produced legendary Richmond math rock outfits such as Butterglove as well as mainstream bands such as Cracker and Carbon Leaf.  The mini-album is available at Plan-9 and other regional locations, and can be downloaded (Back of the Napkin Records, CDbaby, I-Tunes, Amie Street, and many other online distributors).



left to right-John Morand, Richard Gray, Jon Ramsey, Kelli Strawbridge, Leroy Neal

The next Armageddon Rock release, Love in my Hand, was from 'a group called"Jon Ramsey".   Jon had help from bassist Jeremy Johnson and drummer Rickk Gray on this one, and performed 6 shows to support the album. The name departs from the earlier Song of Chance moniker, since only Rickk was the sole collaborator on 'In the Black' and wished to distinguish the project as a 'live' group.  Love in my Hand is a full-length stripped down, acoustic rock album equally paying homage to early proto rock'n'roll, traditional american folk, and punk.
In September 2009, Jon Ramsey once again teamed up with producer John Morand.  The product of this endeavor was the solo release of Sever Connection, a 4-song release exploring alienation, happiness, futility, love, death... the usual Armageddon Rock themes.  This is the first digital-only release on Back-of-the-Napkin records(a small quantity of CD's will be available from the artist and Plan 9).  Some chances were definetly taken in the making of the release since the material was very new, but Jon felt like it was the right time to record the songs.  John Morand also took a very straightforward production approach and experimented with capturing the percussive sounds of the guitar with an extra microphone mounted in front of the guitar's pickup.  The result was simple and effective, very direct much like the music on the album. 
 
 
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